NASTY SAVAGE's classic Demotape "Wage of mayhem" (1984) for the first time on vinyl spiced up with a lethal selection of rare and unreleased bonus tracks from the early days... NASTY SAVAGE were
the undisputed pioneers of Florida's Metal scene, arguments can be made that the early 90's Tampa area Death Metal explosion was a direct result of Nasty Savage, who mixed a more nihilistic view,
lyrically and through onstage horror imagery, than the Bay Area. Their debut demotape and the additional early tracks collected here show the band on a more Power Metal oriented approach (at
times even leaning to NWOBHM areas) than the incendiary Thrash artillery of some subsequent works, but the amount of memorable riffs, a dark evil mood with a few psychedelic elements and the
charismatic vocals of their distinctive frontman Ronnie Savage, clearly show the fact that even at their inception they were surprisingly mature and way ahead for their times. The insane,
impressive riffing and Ronnie’s high-pitched vocals coin a totally unique sound. Unique, but you can tell some of the influences: Mercyful Fate, Slayer, the heavier NWOBHM bands generally. “Wage
of Mayhem” is without the slightest doubt one of the greatest and most influential Metal demo tapes of the 80's. Remastered from pristine sources taken from the band's personal archives. Gatefold
sleeve + 24 page booklet full of rare photos, flyers, zine interviews and memorabilia. SPECIAL BONUS: a replica of the original "WAGE OF MAYHEM vol. 1" fanzine!!!
DIVE IN A BLOODY PIT OF UNCHAINED METAL SAVAGERY!!
Without doubt one of the best grindcore albums I've heard. Million miles a second blastbeats just to cave your head in, fantastic themed album of destruction, just what you need in this world right now. It's exactly what I've been waiting for, thank you Feastem. Favorite track: Sick.
One of the greatest albums by these iconic Brazilian Thrash/Punk champions back on vinyl after more than 20 years from its original pressing... Brutal, aggressive Hardcore/Crossover from South America's finest, kicking asses since 1981! Produced by Billy Anderson (Neurosis, Sleep, Brutal Truth, Melvins, Fantomas etc) in 1997 now specially remastered for vinyl to ensure the best dynamic impact and enriched with 1 exclusive bonus track that was previously appearing only on the CD version. Restyled sleeve + insert with lyrics and never seen before photos of that time. If you got the previous RxDxPx releases on FOAD ("Periferia", "Descanse em paz", "Feijoada acidente", "No money no English") you know you can't go wrong with this! FOAD REC
Not many words needed to introduce SIEGE: they're the undisputed generators of all hyper-speed Hardcore, Grindcore and blasting fast Thrash and have
massively influenced a world of maniacs bringing musical extremities to the most outraegous boundaries, the first most obvious example being Napalm Death that mentioned them as an inspiration
since the "Scum" era and covered "Walls" on their legendary Mick-Shane-Bill-Lee times Peel Sessions, or Heresy that covered "Conform" and the list goes on forever! In the early '80s SIEGE paved
their way into the violent Boston Hardcore scene delivering the fastest and most furious Hardcore ever heard. This double LP collection is the first ever official SIEGE release in Europe and
their definitive, most complete discography to date, consisting of:
- "Drop dead" studio session 1984
- "Cleanse the bacteria" tracks 1984
- Out takes from the original 1984 studio session
- Lost session 1991 with Seth Putnam on vocals
- UNRELEASED version of "Grim reaper"
All remastered for vinyl from the best audio sources in existence. Housed in a deluxe gatefold sleeve with silver hot foil stamp logo on the front and partial UV print, including a booklet with rare and never seen before photos, lyrics, original artworks
First repress ever for this 2005 cult piece of work. Machetazo’s 3rd album got pressed in a limited edition of 500 copies back at the time (while all their other albums on vinyl got a 1000 copies treatment). Therefore, there are almost 100 people wanting this vinyl on Discogs alone, with prices swinging around 40~50 € a piece. That’s why Machetazo and Throne decided to arrange a very limited repress of just 100 copies on colored vinyl (75 out of these will be the classical Throne hand-numbered Collector’s Edition), and 200 copies on black vinyl, worldwide
Nine aural abortions ripped straight from a cancerous womb by vomitcore demigods. A fuming stew of dissonant thrash, fused with knuckle dragging death-metal and festering sludge-grind. Includes a blistering cover of TYPE O NEGATIVE's "the misinterpretation of silence and it’s disastrous consequences”. Colored one-sided vinyl is limited to 250 copies.
Though Travølta’s new release In Tinnitus We Crust will have any die-hard fan of d-beat, crust, fastcore, grindcore, and powerviolence drumming their steering wheel into oncoming traffic, this release shows them as worthy bearers of the mincecore torch, originally lit by their Belgian forebears, Agathocles. The production is no-nonsense. Raw. Honest. You hear every instrument in its real form, giving this LP an intimate, live feel, as if you’re a fly on the wall of the band’s rehearsal space. Travølta manages to find that rare balance of fun and fury by clearly loving what they do and by having a legitimate bone to pick with the world at large. Pissed off and unafraid to piss others off, they wear their politics on their sleeves, speaking out against prejudice in all its forms and doing so with Nico’s genuine, screaming rage.
The vinyl from these great new out put. Almost 25 years of YACÃ˜PSÃ† … Time for a tribute? Not at all! The band still like the AMEBIX slogan: "No gods, no masters"! Nevertheless, YACÃ˜PSÃ† was always well-known for brewing out some freaky ideas (just check their huge output and you'll know what we mean), so the concept of a "Guest room" EP was born, whilst we were hanging around somewhere and joking about how to celebrate the "next" anniversary! Actually, no big deal … Eventually, the band invited a bunch of different people from around the globe to "sing" for them. 15 tracks, each one lasting about 30 seconds, and placed twice (subdivided in two sides: male/ female). All participants had to create own lyrics and to record the vocals by their own. In addition, each person needed to write down a few neutral sentences about the very first encounter with YACÃ˜PSÃ†, and sending a photo. Basically, the whole idea is not that new or original, though the list of our guests is impressive, so here we go: 01. Julia (BÃ„D INFLUENCE/ Germany) 02. Katja (VÃ–LKERMORD/ Germany) 03. Alexandra (CROWSKIN/ Germany) 04. Mareike (UNHOLY HANDJOB/ Germany) 05. Jess (4-LOM/ Canada) 06. Diana (URSUS/ Colombia) 07. Martina (AUNTY PANTY/ Canada) 08. Ami (VÃ–ETSEK/ USA) 09. Athena + Jeff (VÃ–ETSEK + CAPITALIST CASUALTIES/ USA) 10. Melanie (THRASHING PUMPGUNS/ Germany) 11. Sanja (DEPARTURE/ Germany) 12. Leonie (SVFFER/ Germany) 13. Carmen (Not in a band/ Germany) 14. Sabina (HOLY MOSES/ Germany) 15. Peppels (STAHLSCHWESTER/ Germany) 16. Mirko (MONDIAL/ Germany) 17. Dany (DEAD/ Germany) 18. Flupp (CHAOSFRONT/ Germany) 19. Klaus (RAZORS/ Germany) 20. Karl Nagel (KEIN HASS DA/ Germany) 21. Fabian (PELVIC THRUST/ Germany) 22. IRATE ARCHITECT (Complete/ Germany) 23. Kerem + Alper (RADICAL NOISE + LIFELOCK/ Turkey) 24. Damon McCoy (ZABÃ˜GART/ Indonesia) 25. Bert und Jens (BIZARRE X/ Germany) 26. Giulio (CRIPPLE BASTARDS/ Italy) 27. Wawan (HOLIDAYXSUCKERS/ Indonesia) 28. Chris Dodge (INFEST/ USA) 29. CORROSIVE (Complete/ Germany) 30. Martin (EA80/ Germany) Additionally, a bunch of 45 kids in the age between 3 and 5 years is singing "Brother Jakob" in five different speeches (German, English, French, Turkish, and Spanish). Think about where we got our name from, eh? Stoffel went to a friend's kindergarten to organize the huge choir of cute and awesome kids, and to record the tracks, exclusively. The stuff will be used as intro, midtro and outro.
After four years the sludge masters are back with a new full album.
Filthy & painful, social alienation & devastated psyche … spill out of every single fragment of this record.
For over two decades, Fistula has consistently served us itss hideous, the most generic sludge, a perfect mix of dirt and nihilism taken from hardcore/punk fury with heaviness and fading pulse of Black Sabbath & Saint Vitus.
BLOOD's 1993 cult release "O Agios Pethane" (a.k.a. Ο Άγιος Πέθανε) now back again on vinyl, this was the last record Martin Witchskinner did vocals for, since 2014 the front shouter and stage-hog is back in BLOOD. The difference to younger BLOOD releases are definitively the screams in rotation with the deep growls. A milestone release of worldwide Deathgrind/Grindcore, no more words to say!
The ultimate edition of this masterpiece of apocalyptic heaviness! Originally released in 1989 as the band's third album (considering the fact that Saw Throat is nothing else but the terminal stage in the legendary Sore Throat saga), and with a marked musical shift towards the more sinister sound of bands like The Swans, Saint Vitus, Amebix and Gore, "Indestroy" was envisaged as a one song concept LP with a lyrical emphasis placed on enviromental issues (3 decades BEFORE the current publicity seeking populism of mainstream popstars and media celebrities pretending to give a fuck about the planet). Improvised and recorded over a period of three weeks, the resulting album become not only the crown jewel in the band's history, but the final nail in the coffin of them being an ongoing concern as the three core members concentrated on their own bands and all moved on. However, the reception and cult status has grown over the years. And so, after digging through many old cassettes, the original rough mix instrumental version of the album was located featuring a different running order, and a heavier/more guitar orientated and less polished sound. As a historical artifact, this was the version vocalist Rich listened to while writing all the lyrics the night before he was due to record them. There are also some sound effects and small parts that never made it to the final version. Either way, as one of the last truely great recordings of the 80's, this as now unheard version of the "Indestroy" album is for the first time made available to the public domain housed in a thick reverse board gatefold jacket with fully restored original artwork, extensive liner notes and a stunning 24 page full colored lyric and artwork booklet.
The long lost NEANDERTHAL discography finally emerges from it’s cave to see the light of day. Eight anthems of destruction (5 tracks from the 1990 "fighting music" 7" on Slap A Ham, 2 tracks from the 1990 split with RORSCHACH on Vermiform, and one track from the 1991 "bllleeeeaaauuurrrrgghhh" compilation 7" on Slap A Ham. Without NEANDERTHAL there would be not power-violence. NEANDERTHAL was Eric Wood (MAN IS THE BASTARD, CROSSED OUT) and Matt Domino (INFEST). One-sided vinyl with NEANDERTHAL-etching on b-side. Let the games begin!
Following up their debut full length "mental hygiene", Melbourne's INTERNAL ROT returns and delivers 22 songs of completely unrelenting grindcore on par with FETO or EXCRUCIATING TERROR. Wrist-breaking riffage, hair-curling vocals and ear-pulverizing blast beats.
After releasing their demo early 2017, REGIONAL JUSTICE CENTER quietly worked on their song writing craft, no teasers, no promo tapes, just a constant display of force through live performance
where they refined until their was no fat left to trim. WORLD OF INCONVENIENCE finds its home in ever shifting time signatures, punishing punk beats and constantly off kilter breaks. This record
expands RJC from the one man band demo and adds players from the live band as well a brief guest appearance by Mark Palm(Go It Alone, Supercrush, Black Breath). Drawing from such sources as
CROSSED OUT all the way to the THE BEATLES the record never leaves you anticipating what will happen next. Recorded in Western Massachusetts with Will Killingsworth and housed in art by Mark
McCoy, WORLD OF INCONVENIENCE makes for a complete package of hardcore brilliance.
FFO : Infest, Sex Prisoner, Crossed Out
This split between Arizona's SEX PRISONER and France's HARM DONE is an audible story of the anger you have after the worst day of your life. Each band produces four songs to brutalize your eardrums and make you rethink stepping outside. The SEX PRISONER side is angry and moshy, and HARM DONE have a bit more of a metallic hardcore sound that almost sounds a bit CRO-MAGS at times. I know for a fact you will not want to miss out on this release.
Straight out of Seattle, featuring some of the folks that created the idea of "power violence" in the first place, Savage throw down 10 tracks of pure, unadulterated power violence hardcore. No genre-bending, no dilution, no experimentation, only textbook hardcore music with its roots firmly planted in the classics (see: Bold, DYS, and Brotherhood covers)
The return of Germany's fastest band ever, 24 songs of neck-breaking Hardcore/PowerViolence at impossible blasting speed! After almost 30 years since their inception, these maniacs show no sign of sitting down, if you loved their previous effort "Tanz, grozny tanz", this is the same level of rage and craziness, reaching an even tighter and annihilating dimension. And it's the last recording featuring Emu on drums, but for no reason the end of an era, they're already back setting stages on fire with a renewed line-up pulverizing asses with the same amount of aggression and ballistic precision. So get ready for a new cyclone of unstoppable Turbo Speed Violence!! SCHNELLER!
After a scorching demo in 2018, Singapore's DOLDREY have seen fit to unleash a hellish alchemical concoction of scraping hardcore and death-metal riffs over a whiplash of pogoed out d-beats. Imagine CARNAGE covering S.H.I.T./ZOUO songs with the creepy crawl parts from HOAX or DARKTHRONE's slower tunes. Suffice it to say that it is hard punk for metalers AND street tough metal for punks. Classic styles combined to make modern sounds. Limited edition of 500 copies on black vinyl with an etched b-side includes a digital download card.
(It's 2020, the AGATHOCLES 35th birthday !!! So what should you do to celebrate this Mincecore anniversary? A series of
eight 12 "LPs with the full sessions of the countless 7" EPs that AGATHOCLES have recorded in over 3 decades!
This first LP contains the complete recordings of October 28, 1990, released on various 7 "split EPs with bands such as M.O.M., BLOOD, NASUM, SMEGMA and PUTRID OFFAL and the song of the APOCALYPTIC CONVULSIONS compilation 10”.
The covers of all 8 records of this series make up the complete triptych "The Garden of Earthly Delights" by Hieronymus Bosch.
Since 1979, Terveet Kadet has been "one of the best punk bands in the world". Tons of classic records, and like all true champions, they're leaving on a high note. This final (?) LP is a textbook example of the short-songs blazing-fast demented-and-vicious hardcore punk that Terveet Kadet stylized and popularized (yet nobody else has come close in copying). True masters.
Mammoth split 10” featuring New Orlean’s GRISTNAM and Las Vegas, GOD’S AMERICA. Gristnam has previously released a series of digital only EPs of their brand of sludge metal dissonance. On this, their vinyl debut, they lay down two tracks of heavy way down south style venomous songs about spicy Thai and an ode to Big Trouble in Little China. 3-star spicy dish as a Russian roulette. Featuring ex-members of Haarp, Zombie Legion and Omean. On the flip side, prolific power violence band, God’s America drop four tracks of that violent lo-fi blast. An atmosphere of alienation with the force of absolute annihilation. A combination of hypnotizing sludge riffs reminiscent of Noothgrush with that short hectic blast of Benumb and watch the buildings crumble.
• Official repress from Meth Drinker's sought-after farewel 2014's album.
• Re-mastered in 2019.
• Contains original artwork, including a massive 10"-size 12-paged full color booklet.
• Black vinyl edition is limited to 200 copies worldwide.
2016, BALTIMORE, USA……. Years after frequent attempts of AGATHOCLES trying to get into the USA for making a tour, being refused entrance into the land of freedom several times in the 90's and last time in 2015, AGATHOCLES managed to get into the "country of freedom and hope" in summer 2016. Wasting no time and playing a show everyday, AGATHOCLES also got the chance, on a very hot afternoon in July 2016, to make a full studio session of 38 songs with JOE WARKENTIN doing all the vocals and second guitars. Imagine the combination of a heated up (near 40 degrees) small studio in Baltimore, with friends around, no sleep, all adrenaline, the "we wanna make noise now" spirit and the plan of playing a show that same night… The result: a massive driller killer sensation of old AGATHOCLES cognac poured with the finess of ARCHAGATHUS whiskey and the bulldozing bass gin of MORTICIAN. STIR IT WELL AND YOU GET THIS ALBUM !!! The LP is housed in an inside/outside cover design and contains a huge full colored booklet.
The next milestone !! The classic of German hardcore / punk history was officially re-released for the first time. The first inferno longplayer "Tod & Wahnsinn" was in the eighties "the most important " hardcore record in Germany !!!! MÃŒlleimer Records from germany put aout these milestone of the German punk / hardcore History The LP was recorded at the end of 83 in the Berlin Music Lab under the direction of Harris Johns. 20 songs with a speed and brutality at that time, unbelievable !!! these recordings includes also the track "Ram It Up", years later then the N.Y.C. Thrash metalers of S.O.D. covering the track. For the cover Artwork the band find an artist called Pushead who was later also active for Metallica. With this LP Inferno then actually became world famous, they are recording material for various samplers (including Cleanse The Bacteria, Welcome To 1984, Ultra Hardcore Power and others) also made sure the inferno got a very high priority in the scene. Later on the LP was re releasesed on the Brazilian label called Woodstock Discos without any permission of the band, they didn't know that MÃŒlleimer records give a licence to the label. Later a bootleg version Tod & Wahnsinn LP came out, in a very bad presentation without any info. The re-release has now been redesigned down to the smallest detail after Archie's remastering, and the booklet was put together the way it was originally planned for release. Awesome work!!!!
Apparatus have been playing total d-beat raw punk mangel since 2000! Think classic Scandinavian style, a rawer version of Anti Cimex, Shitlickers, Mob 47 etc! After several releases over the years here we go with their latest album. "Absürd '19" contains 11 new tracks of raging deaf-raids Hardcore/Rawpunk savagery including coververions of DTAL and DNA (both from Sweden).
Debut of rampaging hardcore punk. After 2 demo tapes, a 7", and tours on both coasts with Extended Hell and Forward the band is ready put out their first full length release. 14 tracks of in-your-face burly punk with nods to Scandinavia If you dreg bands like Svart Framtid and So Much Hate.
100,000 TONNEN KRUPPSTAHL prepare to bury listeners' ears in crumbling valve warmth on their third full length 'Teeth Fletcher'. One enormous track in four parts, the German guitar/drums duo build a twisted tone shrine from doom and noise components. Strong references can be found amongst the foundation to groups like The Melvins and Bongripper, with layers of supremely fuzz drenched guitar churning above a core of dynamic, rolling drums that refuse to sit still. This is Doom with drive.GATEFOLD COVER
Tucked away in Okinawa Japan, for almost a decade Sow Threat has been pumping out some of the most rambunctious and explosive crustcore in the game. I was an instant fan based on the first demo tape, with their spirited execution of "crustcore" that's firmly rooted in the classics (Extreme Noise Terror, Doom, Sore Throat, Napalm Death) without devolving into a noise-not-music crasher crust spectacle. And it's with great joy that we can put their incredible debut album onto vinyl, remastered and with new art/layout than the CD version on Straight Up Records
It was only a
matter of time travel before this became inevitable. Coincidences of space-time anomalies and political outrage have led to a split LP between these two one man bands created by the same person.
On this release, the two bands have opposite approaches to extreme music - progressive and regressive.
If PSUDOKU's previous album “Deep Space Psudokument” had a third side, this would be it. On Report From the 10th Dimension, futuristic 70s progressive grind is once again consolidated with surf rock and electronic classical. Prepare for raging interstellar speed and dense musical information overload. For fans of NETJAJEV SOCIETY SYSTEM, O.L.D., BAL-SAGOTH and MAGMA.
The PARLAMENTARISK SODOMI side is entitled Demo 2018 and is the first PS demo since 2007. This is 11 crude, straightforward and fast hc/grind/noise tunes partially recorded on cassette. For fans of SIEGE, RUPTURE, DENAK and ULCERRHOEA.
* Bloody Phoenix (US) - a funeral speech of face melting mighty grindcore with Jerry Flores (ex EXCRUCIATING TERROR)
* Lycanthrophy (Cz) - female//male fronted legendary ultra extreme D.I.Y. hardcore violence, now with Otto (NEEDFUL THINGS) on bass-guitar.
* Skunk (Can) - a raw crust/mincecore band from Winnipeg, Manitoba Canada, formed in 2008 and practicing in the most squalid jam space during essential crust reeking activities. Four of winnipeg's least hygenic crust enthusiasts bring blasts of skunkcrust fury. Ex ARCHAGATHUS, VIOLENT GORGE & SKELETON.
* Disturbance Project (Sp) - an insanely good spanish old-school grindcore features old faces from DENAK
A blistering 5 song follow up to their self-titled debut. Blurring returns with a focused and razor sharp offering that will leave all in their beer soaked wake. These extreme metal veterans deliver an aural assault that will challenge the listener with its intense brutality along with its melodic beauty. It truly will "FUCKIN' BASH YOU IN THE FACE."
From the UK's blackened core (aka Leicester) comes Nothing Clean, whose members have spent time in such excellent outfits as Mangle, Hangover Heartattack, Diet Pills and Meatpacker. After a number of split EPs this is their first album proper, with some songs making a reappearance alongside brand new ragers. For a minimal outlay you get maximum bang for your buck with about forty songs in 20 minutes. Powerviolence is the word, bordering on grindcore at times. This is legitimately vicious, intense stuff, allowing itself little room for variation but instantly establishing this quartet as one of the Shittish Isles' finest, fastest hardcore combos. Bordering on grindcore for sure, Nothing Clean are honouring the spirit of the most insanely compact West Coast powerviolence bands of the mid-90s: Spazz and Lack Of Interest, particularly.
Two good things have come from Stoughton, Wisconsin: the coffee break and S.F.N.. After mysteriously dissolving in the last few years, they still seem to pop up every now and then with a new release. S.F.N. moves like a glacier; slow, cold and powerful. S.F.N. submit their 1st and only studio recording of "terminal sedation". Chicago’s most elusive grindcore band has finally returned with 6 songs that barely crack the 5min. mark. The sonic assault is over almost as quickly as it begins but not before it absolutely pummels you into dust and tries to snort you like an eight ball of grindcore cocaine.
In the vein of Fall of Efrafa; Geranium teams up with Link
to do this piece of plastic together. And what a split! Crustcore in an awesome way.
Link from Belgium creates melancholic atmospheres above Heavy tunes and dark lyrics. Their brooding brand of Hardcore Neocrust runs deep pulling a compounding sound of heaviness. Although it’s hard to put a label on the music, they just call it "Dark Crust".
An absolutely over the top recording comprising twelve tracks of punishing hardcore with a huge wall-of-noize production adding to their faultless song writing. As noisy as the album is, all the songs are hits and hard to forget. 'The Total Arse', 'Tomorrow' and 'Consuming Shit and Mind Pollution' are what the new generation of noize-not-music punk lack, memorable anthems. Housed in a 350 gsm regular sleeve and without alterations to the art or sound from the original, this reissue tries to bring an undoubtedly classic of our generation back to life.
PRIMAL RITE is the shot in the arm the hardcore and metal scenes need. With 7"s already on Revelation Records, Grave Mistake and Warthog Speak Records, the band is unleashing their debut full-length. Guitars scream and solo, mixing the speed and chaos of Japanese hardcore, the crunch of Cleveland hardcore, the riffing and solos of thrash-metal, and the pure, crushing power of the Floridian death-metal scene of the '90s.
We have now entered the final form of Exit Hippies' evolution. Their transformation, from crust to dance, is complete. Rejoice, get jiggy with it, or just leave the hall.
Once again time to tear down some walls! Three years after the first attack, here comes powerhouse #2: Nine gun hits from DERBE LEBOWSKI out of Berlin City! In almost 15 minutes somewhere between Hardcore, Powerviolence and Fastcore an ugly three headed punkbastard is born in Moloch. In the circle of the family out of aunts and uncles of HENRY FONDA, HATEHUG and FEMME KRAWALL, it should be clear that the celebration of the day of liberation is more important than a dusky birthday party. Stop And Go Hardcore for people with low attention threshold and pulsating throat line. Hölli (echos-oratos.net) is once again responsible for the outstanding artwork on thick Inside-Out cardboard.
(The second full length of death/doom filth from this Chicago trio. “A megalith of churning black filth spews oblivion that slowly creeps into the minds of men, breathing the stench of hopeless dread from an ancient crumbling death factory. Unspeakable atrocities cascading down amidst the carrion haze of blank humanity forever drowning in a murky chasm. Ceaseless and unbound.
Lotus Fucker is a four piece band from Washington DC/Baltimore Maryland who formed in 2010. Lotus Fucker play a raw, ugly, and visceral style of noise damaged hardcore/punk influenced by bands such as Gauze, Terveet Kadet, Wretched, LipCream, and Confuse. Forever My Fighting Spirit is the band's debut LP which was released via Katorga Works, SPHC, and RSR records on December 3rd 2012. Overall, these ten songs are ugly, abrasive, and brutal as fuck. Overall, Lotus Fucker is a must listen for fans of Hoax, Aerosols, Pollution, and Grids. Another killer release by Katorga Works / RSR / SPHC, heavy cardboard cover incl OBI.