Repress on classic swedish 7“ originally released via Röj records in 1985. Protes Bengt was a blast off hardcore project by Åke from Mob 47 and Per Thunell from Filthy Christians and was basically Mob 47 with Per on vocals. The band was mainly formed to break some guys who did a tape with loads of songs. Protes Bengt never rehearsed but made two recordings. The first recording contains 74 "songs" of which 32 were released as this "In Bengt We Trust" EP. Most of the lyrics are really stupid but some have serious contents. The second recording was a 12-track demo called "Bengt e sänkt", the style had change to more one beat hardcore like Heresy, D.R.I, Lärm.

STIGMATISM is an infatuation with and/or an astute observation of the more "early man" aspects of that 1st wave of NYHC. Featuring an ex-OMEGA and a native New Yorker united in their love of this particular style of hardcore-punk, this demo recording has been slapped onto some slabs of plastic that can be played loud on a phonograph. Limited edition of 500 copies.

Since their 2009 debuts Chicago’s Sea of Shit and New York’s Radiation Blackbody have been two of the most memorable acts among the new wave of powerviolence. Alongside contemporaries like Water Torture, Column of Heaven, and Gas Chamber, both of these bands have brought new and exhilarating ideas to the genre, but are still somehow familiarly based in the tradition of our elders.

If you aren’t immediately familiar with either act, basically you’re looking at grinding prog by Japanese punk aficionados and scientific degenerates on one side, and truly misanthropic hardcore by smut-obsessed, nihilistic degenerates on the other. Like huffing glue before reading about theoretical physics. Or maybe the other way around, depending on which side you play first.

From Richmond's mysterious and low-profile Blast For Humanity Records comes this split between Chicago's best powerviolence act and Japan's legendary, twenty year grindcore veterans Su19b. Unfuckwithable.

Over the past 35+ years, Bristol’s Chaos UK have helped to pioneer so many different styles that it’s difficult to keep track. Getting a handle on the embarrassment of riches that is their discography is difficult enough; mapping the influence they’ve had on worldwide punk and hardcore would be a herculean task, though one would be remiss not to mention how central their sound is to the development of Kyushu-style noise-punk and Burning Spirits hardcore in Japan. Now they’re back with a brand new 4-song EP, and it’s as loud, political, and uncompromising as anything they’ve done before. You can hear strains of their old stuff throughout these tracks: the catchy choruses of their earliest Riot City-era singles; the noise and the manic pogo beats of their Short, Sharp, Shock period; the metallic crunch of their 90s material. While it’s tempting to call this new EP a distillation of everything that’s come before, in reality it’s simply a band who has remained consistently innovative and exciting for nearly four decades doing what they do best.

Second (slightly delayed) entry into the live flexi series, this finds us digging out two old tracks from Japan's premier EVIL METAL band.

These two tunes were recorded 12 years ago, with Joel Grind of Toxic Holocaust on guitar. War 666 is a total Motor-charged bulldozer with rabid vocals.

Prophecy Of The Evening Star is a mid-paced rocker with a bit of NWOBHM swagger to it. Cracking riff.

250 copies, pro foldover sleeve, yellow flexi.

Repress on classic swedish 7“ originally released via Röj records in 1985. Protes Bengt was a blast off hardcore project by Åke from Mob 47 and Per Thunell from Filthy Christians and was basically Mob 47 with Per on vocals. The band was mainly formed to break some guys who did a tape with loads of songs. Protes Bengt never rehearsed but made two recordings. The first recording contains 74 "songs" of which 32 were released as this "In Bengt We Trust" EP. Most of the lyrics are really stupid but some have serious contents. The second recording was a 12-track demo called "Bengt e sänkt", the style had change to more one beat hardcore like Heresy, D.R.I, Lärm.

more gore from both

total mince mayhem

(16)- bring the their sludgy/rock infused tone to “Complications” by Killing Joke. Not surprisingly, the song gets deeper, darker and heavier. On the b-side, Fistula come out swinging with a cover of Devo’s “Mongoloid.” It’s a fitting piece of cynicism and, honestly, I can see a Devo-esque attitude in Fistula’s songs. The cover is straight up punk, ditching the new wave/electronic elements. It’s not a speed freak song but it sounds like late 70s hardcore/punk. And if you’ve heard Fistula before, you know they ain’t afraid to kick out some old school hxc.

Since their 2009 debuts Chicago’s SEA OF SHIT and New York’s RADIATION BLACKBODY have been 2 of the most memorable acts among the new wave of power-violence. Both bands have brought new and exhilarating ideas to the genre, but are still somehow familiarly based in the tradition our elders. Vinyl is limited to 423 copies and includes a digital download card.

jap /us powerviolence /sludge mix,lim 300

To Live A Lie Records started more than 10 years ago with a split 7" consisting of an old West-Coast power-violence band whose 1st release dated back to 1995 and a newer generation band who had been directly influenced by the other one. Fast forward - To Live A Lie humbly presents a split between one of the most important and continually relevant power-violence bands today, DESPISE YOU, and DC's furious straight-edge blast-laiden hardcore outfit, COKE BUST.

Matt Domino and Joe Denunzio are the best team since Rocky and Bullwinkle, having permanently changed the game with INFEST. The dynamic duo is back with Bob of Deep Six/LACK OF INTEREST/LOW THREAT PROFILE lore with EXIT UNIT, which is more or less the band that has been playing live as INFEST over the past few years. These 9 tracks are exactly what one can expect from these godfathers of power-violence hardcore.

 brand new spl 7" y germ noise gods vs old school grinders from germany,lim 186

Fiend from Fresno, California delivers low tuned old school grind core in vein of Nausea LA, Excruciating Terror or Bloody Phoenix. After great demo, ‘’Derailed’’ Tape and split w/ Dead Issue guys recorded new tunes for split 7” with Recalcitrant, Endless Demise and Suffering Mind - proudly released by us! Four short outbursts of pure grind core tornado + cover song of none other than Excruciating Terror. Touring Europe in Summer of 2017, present at Obscene Extreme Festival! On the other side Suffering Mind with their last acts of grind core saga. Sad to say its one of their last releases as the band goes on hiatus! Six, rapid grind core tunes in like 3 minutes, very close to Assuck in execution at the end. We are more than proud to be a part of Suffering Mind story from its beginning! Some members can be found jamming’ in Deterrence (Kuchar) and Groak (Ben)

(Agathocles "death to capitalist grind core" recording from 2006 with Tony, Nils & Jan making noise and acts like Sekunda, Necrose, Sore Throat, 7MON, Sound Pollution, FOG, Cyanamid... 63 tracks in total recorded in 2006 for a split CD with Depresy Mouse (Cz) now available for the first time on 7" vinyl and limited to 500 copies

Round cut, green flexi disc limited to 250 copies!
One year after the sonic decimation of their Split 7" with Aborticidio on FOAD Records, ISOLATION AS CULT returns with a new overdose of anti-musical virulence. 113 songs of complete Noisecore nihilism, hopeless and exacerbated to the most insane thresholds, combining the old school extremism of 7MON, Fear Of God, VNA, AxCx, early Cripple Bastards with Japanese filthnoisepunk influences (Gai, Confuse, Toxo-Vomit, State Children)!! IAC from Italy is a revived early '90s aberration of GTB from Cripple Bastards teaming up with HOD, chief of the infamous "Toxic Basement Studio" from which most FOAD releases are conceived and properly mastered for vinyl. If you're a nostalgic of late 80s / early 90s short song Noisecore in the vein of Stench Of Corpse, Sore Throat, Crawl Noise and so on, this is exactly that kind of madness.

Crushing German powerviolence in a blood pact with Philly noise mongers Constraint culminating in their US Summer 2015 Tour. Twisted shards of incendiary fuselage rip and tear the dead walls of empty tombs of the blind dead. And some tough riffs.